Moreover, in both films poverty is emblematic, but the aims of their commentaries are fundamentally different. We see this especially embodied in the film through the characters with whom we are allied:
Script and musical score: Charles Chaplin Released With Charles Chaplin, Paulette Goddard, and others The first shot of the film shows a huge clock on which the seconds hand moves inexorably toward the top of the hour. The symbolism is clear: People live under the tyranny of mechanically measured time--the dictatorship of the clock.
They strain to keep up with their schedules and deadlines, and with crowds of people on the move. Workers pour out of a subway station and hurry toward factory gates—much like a herd. The point is driven home by a shot of running sheep.
One of the sheep, however, is black: Work starts inside the spotless and highly automated factory of the Electro Steel Corporation. Under the supervision of the top manager Allen Garciawho observes the entire operation on big television screens, a foreman Sammy Stein sets in motion the central machine and the various assembly lines.
We see the nameless protagonist of the story Charles Chaplin at a conveyor belt as he tightens screws on boards that pass by. Like those of his fellow-workers beside him, his repetitive movements are machine-like and tense.
The slightest distraction would disrupt the even process of production. There is no time to even scratch an itch. To catch up he has to run down the line to do the required tightening, and in the process he impedes his fellow-workers.
The men are annoyed; tensions build up along the line. The manager, sitting at his desk, orders a speed-up; the operatives have to redouble their effort. They do not think, nor pace or control the motions of their bodies.
They are extensions of machines; they are turned into robots. The factory strips them of their humanity. What we see in these scenes is a parody of "Fordism. Because of the enormous efficiency of his plants, Ford became not only the number one car maker in the world, but also one of the richest men on earth—in spite of paying his workers unusually high wages.
His show piece plants were modern, well lit, and exceedingly clean, and workers were well cared for in terms of company housing, medical services, and all sorts of benefits.
Because of his successful innovations Henry Ford became something like a prophet of modern industrialism, and enthusiastic writers at the time went so far as to compare his historical significance with that of Napoleon and Jesus.
During the s, however, other car makers began to catch up with this industrial giant, and Ford had to think about ways to become yet more competitive.
One of these ways was a general speed-up at his assembly lines. The already tight supervision of the workers became stricter. Operatives were not allowed to talk to each other while working, or to walk at will to water fountains or bathrooms.
When workers tried to organize to defend certain rights, unionism was categorically forbidden, and a private police force, including undercover detectives, kept close control of the entire workforce. The pace of production became ever fiercer. Individuals who could not keep up because of age or other reasons were mercilessly weeded out and fired.
As time went on, Fordism revealed its negative sides ever more clearly, and the figure of Ford became a rather controversial one.
The tyranny of the clock, the hurried pace of production, the monotony of mindless work--they all do lasting damage to the employees who are subjected to such regimented routines. But even the manager of the plant, is a victim: His regular consumption of pills suggests that not all is well at the top.
When Charlie tries to sneak in a cigarette break in the bathroom, he is still more or less healthy. When the manager discovers him there by means of a surveillance camera, and when he rudely orders him back to work it is the huge Big Brother image of the executive that speaks to the surprised employeeCharlie can still jump and run.
By the time noon-break comes around, however, and the operatives unpack their lunch pails, Charlie walks like the proverbial working stiff. The motions of his arms have become spastic. When he tries to reposition the soup bowl of his colleague, he splashes the liquid all over the place, thus increasing the tensions among the workers.The movie Modern Times by Charles Chaplin is a critique of the social structure of his time.
This prominent critic is one of Chaplin most famous work and can be well adapted to current days. Many of the critics presented in Chaplin work can be linked to existentialist themes and in more deep form to Nietzsche philosophical arguments.
Modern Times is Chaplin’s last “silent” film, and a last bow for his “Tramp” character, which had made Chaplin the world’s most famous man in the s. After the premier of City Lights ), Chaplin went on a world tour, meeting with many leaders to discuss the pressing issues of the time.
Mary Woodling Org - Charlie Chaplin's Modern Times Movie Analysis Essay introduction. Communications Film Analysis Paper 9/2/10 Chaplin’s Vision of Scientific Management The ’s were a period of economic misfortune, industrial standardization, and .
Oct 16, · Modern Times is a comedy written, directed by and starring Charlie Chaplin. It is considered one of his most important films alongside classics such as . Modern Times was launched more quietly than previous Chaplin films.
The film opened in New York on 5 February , and in London on 11 February. The film opened in New York on 5 February , and in London on 11 February. an introduction to the decision making model analysis the loose an analysis of women color and undisciplined Floyd titled his eikon, diffuses or detonates an analysis of the secret sharer a short story by joseph conrad with wisdom.
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