How to write an editorial for a music magazine

We focus on a variety of musical genres—whatever else we think will grab music-lovers seeking something a little deeper. Paste strives to cover the best music in this eclectic mix, devoting space to independent musicians alongside more established artists.

How to write an editorial for a music magazine

History[ edit ] The paper was established in The first of these was, in contrast to more recent charts, a top twelve sourced by the magazine itself from sales in regional stores around the UK. These and other artists also appeared at the NME Poll Winners' Concert, an awards event that featured artists voted as most popular by the paper's readers.

The concert also featured a ceremony where the poll winners would collect their awards. From onwards they were filmed, edited and transmitted on British television a few weeks after they had taken place.

In the mids, the NME was primarily dedicated to pop while its older rival, Melody Makerwas known for its more serious coverage of music. Other competing titles included Record Mirrorwhich led the way in championing American rhythm and bluesand Discwhich focused on chart news.

During this period some sections of pop music began to be designated as rock. The paper became engaged in a sometimes tense rivalry with Melody Maker; however, NME sales were healthy, with the paper selling as many asissues per week, making it one of the UK's biggest sellers at the time.

In early the paper found itself on the verge of closure by its owner IPC which had bought the paper from Kinn in According to Nick Kent soon to play a prominent part in the paper's revival: After sales had plummeted to 60, and a review of guitar instrumentalist Duane Eddy had been printed which began with the immortal words "On this, his 35th album, we find Duane in as good as voice as ever," the NME had been told to rethink its policies or die on the vine.

NME became the gateway to a more rebellious world. First came glamrockand bands such as T. Rexand then came punk Bands such as Sex PistolsX-Ray Spex and Generation X were regular cover stars, eulogised by writers such as Julie Burchill and Tony Parsonswhose nihilistic tone narrated the punk years perfectly.

We had most of the best writers and photographers, the best layouts, that sense of style of humour and a feeling of real adventure. We also set out to beat Melody Maker on its strong suit: We wanted to see where we'd got to, sort out this huge amount of stuff that had poured out since the mid '60s.

Everyone on the paper was into this. The NME gave the Sex Pistols their first music press coverage in a live review of their performance at the Marquee in February that year, but overall it was slow to cover this new phenomenon in comparison to Sounds and Melody Maker, where Jonh Ingham and Caroline Coon respectively were early champions of punk.

Although articles by the likes of Mick Farren whose article "The Titanic Sails at Dawn" called for a new street-led rock movement in response to stadium rock were published by the NME that summer, it was felt that younger writing was needed to credibly cover the emerging punk movement, and the paper advertised for a pair of "hip young gunslingers" to join their editorial staff.

This resulted in the recruitment of Tony Parsons and Julie Burchill.

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The pair rapidly became champions of the punk scene and created a new tone for the paper. Parsons' time at NME is reflected in his novel Stories We Could Tell, about the misadventures of three young music-paper journalists on the night of 16 August — the night Elvis Presley died.

The logo which, with slight variation, has been used since In Logan moved on, and his deputy Neil Spencer was made editor. One of his earliest tasks was to oversee a redesign of the paper by Barney Bubbleswhich included the logo still used on the paper's masthead today albeit in a modified form — this made its first appearance towards the end of Spencer's time as editor also coincided with the emergence of post-punk acts such as Joy Division and Gang of Four.

This development was reflected in the writing of Ian Penman and Paul Morley. Danny Bakerwho began as an NME writer around this time, had a more straightforward and populist style.

The paper also became more openly political during the time of punk. Its cover would sometimes feature youth-orientated issues rather than a musical act. It took an editorial stance against political parties like the National Front.

With the election of Margaret Thatcher in the paper took a broadly socialist stance for much of the following decade. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.You would of course get more of a traffic boost writing for an online magazine (or a print magazine that also posts articles online), especially if the magazine or article is on the same topic as your blog.

how to write an editorial for a music magazine

How to Write an Editorial. Kevin Parrish, Opinion Page editor at The Record, says he essentially looks for four things when choosing opinion pieces to run in the paper. Write out numbers nine and under and numbers that begin a sentence (if necessary); otherwise use numerals.

Use numerals for decades, except at the beginning of a sentence. Letters to the editor are generally found in the first section of the newspaper, or towards the beginning of a magazine, or in the editorial page. They can take a position for . Jun 14,  · Correction. An editorial on Thursday about the shooting of Representative Steve Scalise incorrectly stated that a link existed between political rhetoric and the shooting of Representative.

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